Typical tales of fancy, romance, and history from Shakespeare's plays; in narrative form, largely in Shakespeare's words, with dialogue passages in the original dramatic text . VIII. Act III. Scenes |EANWHILE, at the palace, Duke Frederick was angry enoughwhen all the search and questioning failed to bring back hisdaughter Celia, or even any news of her. He found somecomfort, however, in scolding and threatening Oliver. Thelatter certainly had reason for feeling guilty and unhappywhen he remembered his cruelty to Orlando; but he reallyknew nothing about the runaways, and said so quite ea
Typical tales of fancy, romance, and history from Shakespeare's plays; in narrative form, largely in Shakespeare's words, with dialogue passages in the original dramatic text . VIII. Act III. Scenes |EANWHILE, at the palace, Duke Frederick was angry enoughwhen all the search and questioning failed to bring back hisdaughter Celia, or even any news of her. He found somecomfort, however, in scolding and threatening Oliver. Thelatter certainly had reason for feeling guilty and unhappywhen he remembered his cruelty to Orlando; but he reallyknew nothing about the runaways, and said so quite Duke would not believe him, for he was sure they were with Orlando, andOliver of course must know where to find his brother. Thou hast not seen him ? said the Duke angrily. Sir, sir, that cannot be ;if I were not a merciful man, I should take my revenge on thee ! Look to it;find out thy brother, wherever he may be, and bring him here alive or dead withinthe year. Thy lands and all thy possessions are forfeit; and we shall keep themuntil thy brothers own lips shall prove thee innocent. Oliver was not ashamed to hate Orlando, and to have cruelly driven him outinto the world • but to be
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