. International Studio an Illustrated Magazine of Fine and Applied Art. ork. By G. Baldwin Brown, \ i6q Renaissance: Its Art and Life—Florence (145G-155-). By Selwyn Brinton, \ 260 Royal .Manor of Richmond. By Mrs. -A. G. Bell ..... 345 Stained Glass Tours in France. By Charles Hitchcock Sherrill Ixxiii Stories from the Arabian Nights. By Laurence Housman 84 Styles of Ornament. By Alexander Speltz Ixxiii Three Hundred Shades and Hoiv to Them. By M. Desaint 85 Titian. By Bensusan 345 Torokorszagi, Levelei. By Zagoni Mikes Kelemen 84 Transfer Printing: Its Origin and Development in th
. International Studio an Illustrated Magazine of Fine and Applied Art. ork. By G. Baldwin Brown, \ i6q Renaissance: Its Art and Life—Florence (145G-155-). By Selwyn Brinton, \ 260 Royal .Manor of Richmond. By Mrs. -A. G. Bell ..... 345 Stained Glass Tours in France. By Charles Hitchcock Sherrill Ixxiii Stories from the Arabian Nights. By Laurence Housman 84 Styles of Ornament. By Alexander Speltz Ixxiii Three Hundred Shades and Hoiv to Them. By M. Desaint 85 Titian. By Bensusan 345 Torokorszagi, Levelei. By Zagoni Mikes Kelemen 84 Transfer Printing: Its Origin and Development in the United Kingdom 344 Trees and Their Life-Histories. By Percy Groom, , 170 Velasquez .Arundel Club Portfolio 172 Wilkie. By Lord Ronald Sutherland-Gower 173 William Hogarth. B\ .\ustin Dobson, Hon., LL. D., Edin 171 Willings Press Guide 173 Windsor. Painted by George M. Henlon. Described by Sir Richard Rivington Holmes, \.0. 343 Writers and Artists Year-Book 173 Year Book of Decorative Art, igcS 130 Years Art . 173 wm^ -> -:?,•* ??;;^^3^;. SIR WILLIAM MAXWELL, SIXTHBARONET, OF CALDERWOOD. BYSH HENRY RAEBURN, ? nnv, Esq.) ^h & INTERNATIONAL• STUDIO • VOL. XXXIV. No. 133 Copyright, 1908, by John Lane Company MARCH, 1908 E > MIL FUCHS—SOME WORK INSCULPTURE, MEDALS AND POR-TRAITSBY SELWYN BRINTON The exhibitions of portraits held by Emil Fuchsduring the past two months at the Corcoran Gal-lery, Washington, D. C.,i:nd in Philadelphia the attention aroused by his recent yearlyexhibitions in New York. Though spending partof his time each year at work in his London studio,he is now to be reckoned as one of the constantcontributors to our output in this country. Hisart, however, displays a versatility unusual in thesedays of specialization. In calling attention to someof his work as sculptor and medallist, perhaps lessgenerally known, it will serve our purpose to glanceback over his earlier achievement. As to the artistspurpose, there
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