. Intervals, chords and ear training for young pianoforte students. hich would be the root? If we had &zj L which would be the root ? You have Yearned that a triad can belong to several keys. Agiven dominant seventh chord, however, can belong to but one JNTEBVALS, CHORDS, AND EAR TRAINING 29 major key. Each major key has a dominant seventh chord of itsown, that no other major key can claim. Thus, wherever we find the chord -%- i we know that we are in the key of C major,(or as we shall learn later in the minor key of the same name). Forinstance : this chord —2? if I you hear played by some mus
. Intervals, chords and ear training for young pianoforte students. hich would be the root? If we had &zj L which would be the root ? You have Yearned that a triad can belong to several keys. Agiven dominant seventh chord, however, can belong to but one JNTEBVALS, CHORDS, AND EAR TRAINING 29 major key. Each major key has a dominant seventh chord of itsown, that no other major key can claim. Thus, wherever we find the chord -%- i we know that we are in the key of C major,(or as we shall learn later in the minor key of the same name). Forinstance : this chord —2? if I you hear played by some musi- cian, who asks you in what major key he is playing. You cananswer positively in the key of G major, because 4 I is the dominant seventh chord of the key of G major, and can belongto no other major key. The dominant seventh chord is naturally followed by the tonicchord of the key to which it belongs ; that is, the dominant sev-enth chord resolves to the tonic chord. The dominant seventhchord of the key of C resolves to the tonic chord of the key of C. C : V7 The dominant seventh chord of the key of G resolves to tnetonic chord of the key of G : 41.
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectharmony, bookyear1897
