Amsterdam as the Centre of World Trade, Pieter Isaacsz., c. 1604 - c. 1607 painting. harpsichord lid. musical instrument. stringed instrument. keyboard instrument. harpsichord Klavecimbeld cover on which on the left in the picture the personification of the city of Amsterdam (the Amsterdam Stedensmaag), sat on a throne with a river god at her feet. To the left of her the God Neptunus. She extends to a globe with her left hand. In the offing ships in a bay and a face on an Asian landscape. Above the throne, Putti holds the city coat of arms of Amsterdam. painter: Amsterdammusical instrument mak
Amsterdam as the Centre of World Trade, Pieter Isaacsz., c. 1604 - c. 1607 painting. harpsichord lid. musical instrument. stringed instrument. keyboard instrument. harpsichord Klavecimbeld cover on which on the left in the picture the personification of the city of Amsterdam (the Amsterdam Stedensmaag), sat on a throne with a river god at her feet. To the left of her the God Neptunus. She extends to a globe with her left hand. In the offing ships in a bay and a face on an Asian landscape. Above the throne, Putti holds the city coat of arms of Amsterdam. painter: Amsterdammusical instrument maker: Antwerp oil paint (paint). panel personification of a city, town-patron(ess). merchant shipping, shipping trade. (map of) Asia. globe. Neptune as lord of the sea. river-gods. 'Cornucopia', Horn of Plenty Amsterdam. City Hall of Amsterdam (1655-1808)
Size: 7734px × 3700px
Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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