Eighth of cannon. Eighth of cannon. Exhibitions: Philippines, East Puerta. From Legazpi to Malaspina. San Telmo Museum .San Sebastian. Spain. Philippines East door. From Legazpi to Malaspina .. National Museum of the Philippine People. Manila. Filipins. Fogon framed in a square standing. Two rings and stumps in the second body, in the third body two other rings. I shot iron ball from two pounds. The origin of this piece is ignored. It may be of those taken in Joló (Philippines) in 1851 according to Colonel Rozadas, conservative of the Army Museum, could be considered as a cannon room. Accordin

Eighth of cannon. Eighth of cannon. Exhibitions: Philippines, East Puerta. From Legazpi to Malaspina. San Telmo Museum .San Sebastian. Spain. Philippines East door. From Legazpi to Malaspina .. National Museum of the Philippine People. Manila. Filipins. Fogon framed in a square standing. Two rings and stumps in the second body, in the third body two other rings. I shot iron ball from two pounds. The origin of this piece is ignored. It may be of those taken in Joló (Philippines) in 1851 according to Colonel Rozadas, conservative of the Army Museum, could be considered as a cannon room. According to Jorge Vicente Jordana, it is a Moyano snake (which is the same). The Moyano, according to Ufano, is the canyon room ( cm) and 24 calibers, this piece is smaller. According to Gonzalez Aller, it is an English falcon with three pounds of ball (16th century). Similar to Henry Pitt of the Royal Navy catalog of 1588 (Page 177) This 16th century artillery has as characteristic the highest quality of the materials used if we compare them with those of the previous century. The founders achieve this, creating small caliber pieces, better precision and greater mobility. On the other hand, by lowering their high cost due to a better management in manufacturing, the artillery of the XVI, was gaining ground in the armies. The variety of artillery pieces, due to the personnel criteria of its founder, resulted in, that there were not two equal pieces, since each one melted in a different way, with different alloys and with different molds. In this century of transformation , the sperons are also incorporated into the cane, which greatly improves the settlement of the piece on the heal. Fogon framed in a square standing. Two rings and stumps in the second body. In the third body, two other rings. It may be of Filipino-Malay

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