Mary, Joseph and Three Angels, Adriaen van Wesel, c. 1475 - c. 1477 On a strongly rising ground and for a raised wall, three to the left kneel -oriented angels kneel: one lets both hands slide over the double row of keys of an open Klavichord and seems to sing; The angel in the front left, pleasantly watchful, holds a female against the shoulder; The third leans forward with joyful curiosity and plays the lute. Behind them, Joseph bends forward with serious interest, while holding the right hand to the head for taking a headgear (which was lost). He is dressed in a monk, the hood of which has
Mary, Joseph and Three Angels, Adriaen van Wesel, c. 1475 - c. 1477 On a strongly rising ground and for a raised wall, three to the left kneel -oriented angels kneel: one lets both hands slide over the double row of keys of an open Klavichord and seems to sing; The angel in the front left, pleasantly watchful, holds a female against the shoulder; The third leans forward with joyful curiosity and plays the lute. Behind them, Joseph bends forward with serious interest, while holding the right hand to the head for taking a headgear (which was lost). He is dressed in a monk, the hood of which has fallen back; The angels wear given alben. Utrecht oak (wood) the Bosch On a strongly rising ground and for a raised wall, three to the left kneel -oriented angels kneel: one lets both hands slide over the double row of keys of an open Klavichord and seems to sing; The angel in the front left, pleasantly watchful, holds a female against the shoulder; The third leans forward with joyful curiosity and plays the lute. Behind them, Joseph bends forward with serious interest, while holding the right hand to the head for taking a headgear (which was lost). He is dressed in a monk, the hood of which has fallen back; The angels wear given alben. Utrecht oak (wood) the Bosch
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