. International studio. isfyingnote. Edmund H. Wuer-pel is unusually happy inhis four canvases picturing the child in the house natures quieter moods. A Font jor the Living,a Tomb jor the Dead is more decorative thanthat which is usually seen from Mr. Wuerpelsbrush. Large, flat masses of dark foliage supportthe monumental lines of a marble tomb, grayed inthe veil of night. The large canvas, A TwilightSymphony, presents an ensemble that is serene yetnot cold, rich yet not heated. The thick mass oftrees at the right vies with the feathery sapplings atthe left for the observers admiration. The ge
. International studio. isfyingnote. Edmund H. Wuer-pel is unusually happy inhis four canvases picturing the child in the house natures quieter moods. A Font jor the Living,a Tomb jor the Dead is more decorative thanthat which is usually seen from Mr. Wuerpelsbrush. Large, flat masses of dark foliage supportthe monumental lines of a marble tomb, grayed inthe veil of night. The large canvas, A TwilightSymphony, presents an ensemble that is serene yetnot cold, rich yet not heated. The thick mass oftrees at the right vies with the feathery sapplings atthe left for the observers admiration. The gentlehaze of autumn pervades the open clearing in awooded landscape which T. C. Steele designates asA Vision oj Morning. Blue and Gray representsJ. Ottis Adamss conception of a color harmony asapplied to a weather-beaten mill by a flowing sand, a blue stream and transparentshadows among the distant objects are notablecharacteristics of Clinton A. Wheelers contribu-tion, Along the Creek. Augusta Finkelburg, of. BY WILLIAM MARSHALL CLUTE XLIX Society of Western Artists
Size: 1409px × 1774px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
