Lazio Viterbo Ronciglione Oratorio3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, coffered ceiling, wooden crucifix, painting. The Oratorio (also called SS. Rosario) is dated to 1626, and possesses within the altar of the Crucifix 2 marble figures of angels attributed to the school of Bernini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, includin
Lazio Viterbo Ronciglione Oratorio3. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, coffered ceiling, wooden crucifix, painting. The Oratorio (also called SS. Rosario) is dated to 1626, and possesses within the altar of the Crucifix 2 marble figures of angels attributed to the school of Bernini. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
Size: 4680px × 6120px
Photo credit: © piemags/GB24 / Alamy / Afripics
License: Licensed
Model Released: No
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