. Programme. SyAc donthtaihicj idea r^behind the ntaimfaciure of is io -make ana ruam- iain it as tkc best picmo tkat caw be builtP Represented by The A. M. HUML MUSIC CO. 196 Boylston Street, Boston, This Suite was played at a Colonne-Lamoureux Concert, Paris, onDecember 17, 1916. The Konde des Enfants, Pas des Vieilles Dames, Nocturne,and Danse Finale were performed by the Symphony Society inNew York, Walter Damrosch conductor, on December 5, 1920. ThePas des Vieilles Dames then gave so much pleasure that it wasplayed a second time. When the Barcarolle and the Saraband wereperformed b
. Programme. SyAc donthtaihicj idea r^behind the ntaimfaciure of is io -make ana ruam- iain it as tkc best picmo tkat caw be builtP Represented by The A. M. HUML MUSIC CO. 196 Boylston Street, Boston, This Suite was played at a Colonne-Lamoureux Concert, Paris, onDecember 17, 1916. The Konde des Enfants, Pas des Vieilles Dames, Nocturne,and Danse Finale were performed by the Symphony Society inNew York, Walter Damrosch conductor, on December 5, 1920. ThePas des Vieilles Dames then gave so much pleasure that it wasplayed a second time. When the Barcarolle and the Saraband wereperformed by the same orchestra, February 3, 1921, the wordlesssoprano part was sung by Henrietta Conrad. The first performance in Boston of the excerpts was at a concertof the Boston Symphony Orchestra on October 21, 1921. Thesoprano solo was sung by Laura Littlefield. The following description of the ballet is taken from an articleon Casella by Guido M. Gatti, published in that excellent magazineThe Musical Quarterly (April, 1920) :— Its music was written to a graceful plot in a seventeenth-cen-tury ambient by the poet Vaudoyer. In it appear tenuous, pow-dered, languid figures, against a scenic back-ground
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
