. Keramic studio. HONEYSUCKLE—ALICE WILLITS DONALDSON Treatment by Jessie M. Bard SKETCH in design. Paint in background with Apple very delicate and a little Yellow Brown and Blood , Yellow, Violet. Paint leaves with Shading Second Fire—Use same colors as first fire for touching Green and Copenhagen Blue. The fiowers are Yellow up. too m:ramic studio r ■^iSi. NASTURTIUMS—M. TIMBERLAN FOR flowers use Yellow Red and Albert Yellow, BloodRed and Ruby. The markings are Blood Red and Au-burn Brown. The centers are Yellow Brown and BrownGreen. The leaves are Shading Green, Moss Green and Ap-
. Keramic studio. HONEYSUCKLE—ALICE WILLITS DONALDSON Treatment by Jessie M. Bard SKETCH in design. Paint in background with Apple very delicate and a little Yellow Brown and Blood , Yellow, Violet. Paint leaves with Shading Second Fire—Use same colors as first fire for touching Green and Copenhagen Blue. The fiowers are Yellow up. too m:ramic studio r ■^iSi. NASTURTIUMS—M. TIMBERLAN FOR flowers use Yellow Red and Albert Yellow, BloodRed and Ruby. The markings are Blood Red and Au-burn Brown. The centers are Yellow Brown and BrownGreen. The leaves are Shading Green, Moss Green and Ap-ple Green. Wash background with Yellow Brown and Vio-let No. 2, touches of Brown Green. Second Firing—Retouch with colors in first firing. WATER COLORS Draw design in carefully, then paint a thin wash of Yel-low over entire paper. While moist paint in lightest flowerwith Lemon Yellow, touches of Hookers Green No. 1. Themarkings are Vermillion. The heart is Yellow Ochre andHookers Green. The deepest flowers are Carmine and BurntSienna. The deepest tones are Carmine and Hookers GreenNo. 2. The centers are Hookers Green No. 2 and Yellow medium toned blossoms are Indian Yellow and YellowOchre with touches of Vermillion. The leaves are HookersGreen No. 2, Yellow Ochre No. 2. The stems are HookersGreen No. 2 and touches of Yellow. The background isHook
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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
