. Studio international . IVORY CAKVINi PERSIMMONS BY YOSHIDA HOME] 107 Japanese Art and Artists of To-day.—II. Wood and Ivory Carving. IVORY CARVING : A STREET MUM BY KANEDA KINJIKO shelf. The young carver was very much touched .?. the masters innocent cat receiving When you tee bim now working ludio and watch his amiable face, his eyes ng with sincerity, you would I .ii in Ins youthful ? il • arving (rom lb: Ralu now in the H originally a At the beginning ol the !? ?1 the u mpl throughout iturally I ? ? ipublic ? . ill .mil talent to sacred objects should stoop to carve suchan inferior creatu
. Studio international . IVORY CAKVINi PERSIMMONS BY YOSHIDA HOME] 107 Japanese Art and Artists of To-day.—II. Wood and Ivory Carving. IVORY CARVING : A STREET MUM BY KANEDA KINJIKO shelf. The young carver was very much touched .?. the masters innocent cat receiving When you tee bim now working ludio and watch his amiable face, his eyes ng with sincerity, you would I .ii in Ins youthful ? il • arving (rom lb: Ralu now in the H originally a At the beginning ol the !? ?1 the u mpl throughout iturally I ? ? ipublic ? . ill .mil talent to sacred objects should stoop to carve suchan inferior creature as a dog, was, to the Japaneseartistic mind, a degradation of the profession, analmost unpardonable offence. No other master,probably, could have transgressed the artisticetiquette in such an original and daring Koun was a keen observer, and could discernthe requirements of the age. The wooden chinwas exhibited at an exhibition of the Fine ArtsAssociation, awarded a gold medal, and became theproperty of the Imperial Household. This asso-ciation was organised in 1879, ar>d holds annualexhibitions
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
