Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . ifibE ^^-pg^=:=r=^=3==^Z^^,=r=^g=. ^-p^^^gii:,^. * We purposely use the word hymn-tune— hymnody, etc.—in this work, as the psalm-tune would, logically speak-ing, be a chant. The psalm is, in the absence of metre, essentially a prose composition, and we either chant prose or set it inanthem form. The hymn—even if derived from the psalms—is a metrical composition in the strict sense. CHOIR ACC
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . ifibE ^^-pg^=:=r=^=3==^Z^^,=r=^g=. ^-p^^^gii:,^. * We purposely use the word hymn-tune— hymnody, etc.—in this work, as the psalm-tune would, logically speak-ing, be a chant. The psalm is, in the absence of metre, essentially a prose composition, and we either chant prose or set it inanthem form. The hymn—even if derived from the psalms—is a metrical composition in the strict sense. CHOIR ACCOMPANIMENT. Syllabic repe-tltiou. True mannerof perforin- Doublingthe Manual The preceding familiar tune has been selected as a specimen of certain syllahio repetitions ofthe same chord. (See measiu-es 4-5 and others.) The idea has prevailed in many quarters thatsuch repetitious in the voices should not be repeated upon the Organ, but held out a time equalto the value of the notes were they tied together. This is very objectionable when the voicesare silent, as all rhythmic flow is thereby destroyed. In accompanying the voices, this may be lessobjectionable, but had better be avoided as disturbing the rhythmic relation between player ands
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
