. A short history of art . bjj 5- O H. O 3^ Si ^ 3 a 5a 5 S, >:; 3j 3 0 < 2 > o E .ij w H aj n S .2 FRENCH SCHOOL OF POETIC LANDSCAPE 535 Constant Troyon, who had showed a partiality for intro-ducing cattle into his landscapes even before he paid avisit to Holland. This served to confirm his own taste,and to broaden his comprehension of the relationshipbetween the cattle and their surroundings. After this anampler feeling pervaded his pictures; they show spaciousskies, with buoyant cloud forms, hanging over pastureslusciously verdant, from the bounty of which bulky cowsand oxen draw t
. A short history of art . bjj 5- O H. O 3^ Si ^ 3 a 5a 5 S, >:; 3j 3 0 < 2 > o E .ij w H aj n S .2 FRENCH SCHOOL OF POETIC LANDSCAPE 535 Constant Troyon, who had showed a partiality for intro-ducing cattle into his landscapes even before he paid avisit to Holland. This served to confirm his own taste,and to broaden his comprehension of the relationshipbetween the cattle and their surroundings. After this anampler feeling pervaded his pictures; they show spaciousskies, with buoyant cloud forms, hanging over pastureslusciously verdant, from the bounty of which bulky cowsand oxen draw their nutriment. Troyons big and generousart was carried on by his pupil, Emile van Marcke (1827-1890), who transmitted the tradition to his daughter,Madame Marie Dieterle. Meanwhile Charles Jacque (1813-1894) distinguished himself as a painter of sheep and poul-try, setting them in the surroundings of a stable or in alandscape. He began life as an engraver, and excelled inetching as well as painting, the fact explaini
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
