Latinus Offering his Daughter Lavinia to Aeneas in Matrimony Tiepolo, Giovanni Battista 1696 - 1770 Painting Tiepolo, Franz Hermann Meiszner, p. 10, 1369a, 1897. Watteau, G. Dargenty, p. 116, 1457b, []. Les Tiepolo, Henry de Chennervières, p. 116, 1457b, []. Erhvervelser af fremmed Kunst, Leo Swane, p. 84ff (afb.), 15647, 1939. Giovanni Battista Tiepolo, Heinrich Modern, p. 36, 52, 1708, 1902. De senere års nye erhvervelser af malerkunst, Leo Swane, p. 119, 19866, 1951. Ny Carlsbergfondet: 1902-2002, Hans Edvard Nørregård-Nielsen, Omt. p. 91. Ill. p. 91, 2002-458, 2002. SMK highlights:
Latinus Offering his Daughter Lavinia to Aeneas in Matrimony Tiepolo, Giovanni Battista 1696 - 1770 Painting Tiepolo, Franz Hermann Meiszner, p. 10, 1369a, 1897. Watteau, G. Dargenty, p. 116, 1457b, []. Les Tiepolo, Henry de Chennervières, p. 116, 1457b, []. Erhvervelser af fremmed Kunst, Leo Swane, p. 84ff (afb.), 15647, 1939. Giovanni Battista Tiepolo, Heinrich Modern, p. 36, 52, 1708, 1902. De senere års nye erhvervelser af malerkunst, Leo Swane, p. 119, 19866, 1951. Ny Carlsbergfondet: 1902-2002, Hans Edvard Nørregård-Nielsen, Omt. p. 91. Ill. p. 91, 2002-458, 2002. SMK highlights: Statens Museum for Kunst, Sven Bjerkhof, omt. og afb. p. 58, 2005-071, 2005. Giovanni Battista & Giovanni Domenico Tiepolo i museets samlinger, Jørn Rubow, p. 38-40 (geng. p. 39), 23792, 1956. Giambattista und Domenico Tiepolo: ihr Leben und ihre Werke, Eduard Sack, p. 113f, 150, 2585, 1910. Italian paintings and sculpture in Denmark, Harald Olsen, p. 30, 92, afb. pl. XCII, 28349, 1961. A complete catalogue of the paintings of G. B. Tiepolo, Antonio Morassi, 9, fig. 286 ("taken to Paris 1873"), 29570, 1962. Tiepolo: la sua vita e le sue opere, Pompeo Molmenti, p. 271, 274ff, 34620, [1909]. The Tiepolos: painters to princes and prelates, Ubekendt, p. 77 (cat. 15), 62252, 1978. Giambattista Tiepolo 1696-1770, Keith Christiansen, p. 111, no. 21c p. 157-66 farveill. p. 161., 96-780, 1996. Statens Museum for Kunst: 1827-1952, Villads Villadsen, Afb. (farve) , 98-419, 1998. Tiepolo's "Bethrothal": a Virtue in the History of Women, Daniel O. Bell, pp. 159-62, afb. p. 159 Bell tolker motivet som Alexander of Roxanas forlovelse, fra Plutarchs Vitae, hvorfor baggrundsfiguren er Roxanas far, Oxyantes, der overgav sig til Alexander, da han hørte om datterens tilfangetagelse og til gengæld blev udnævnt til stadholder over dele af Persien og Indien (derfor turbanen). ("Timocleo" i National Gallery Washington, fra samme serie stammer også fra Plutarch). Shorter Notices, Ta
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