. Medieval architecture, its origins and development, with lists of monuments and bibliographies. III. 96, Fig. 1). Here the hea\y lines represent a splayed win-dow in plan, the dotted lines one with jambs of rectangular E. g. in the cathedral at I\Tea. and at S. Abondio at Como. Strangely enough,this feature reappears in the North, in the church of St. Germain-des-Pres, Paris. Thatbell towers were attached to churches before the IX century we learn from a text referring tothe church of St. Denis, built about 775, — Basilicae fabrica completa, impositaque turri, inqua signa, ut moris est, pend
. Medieval architecture, its origins and development, with lists of monuments and bibliographies. III. 96, Fig. 1). Here the hea\y lines represent a splayed win-dow in plan, the dotted lines one with jambs of rectangular E. g. in the cathedral at I\Tea. and at S. Abondio at Como. Strangely enough,this feature reappears in the North, in the church of St. Germain-des-Pres, Paris. Thatbell towers were attached to churches before the IX century we learn from a text referring tothe church of St. Denis, built about 775, — Basilicae fabrica completa, impositaque turri, inqua signa, ut moris est, penderent . . — the building of the basilica was finished andthe tower placed upon it, and in this, as is the custom, they hung bells. — Mirac. S. Dionysiic. 15, cit. Schlosser. 160 SPLAYED OPENINCiS section. The light is imagined as coming at an angle; the heavyshading represents the shadow cast by the splayed window, thelight shading plus the heavy, that cast by the window with rec-tangular jambs; that is, the difference in the amount of lightadmitted is just equal to the light
Size: 2240px × 1115px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecad, booksubjectarchitecture, bookyear1912
