. Keramic studio. white surfaces and to whom novelty is of supreme Carlson and Miss Metta Waugh showed some clever rosedecorations on several pieces. Mrs. Dea Carr Smith of Okla-homa City secured a charming effect with monotone decora-tion on a tall slim tankard, delicately suggested mountainswith clusters of pine trees in the foreground. M. E. Challinor displayed a decoration that was perhaps one of the best ex-amples of the realistic school of thought in the entire collec-tion. A tender grey blue ground with lovely beads of pink andwhite phlox. An exhibition of work from Tope
. Keramic studio. white surfaces and to whom novelty is of supreme Carlson and Miss Metta Waugh showed some clever rosedecorations on several pieces. Mrs. Dea Carr Smith of Okla-homa City secured a charming effect with monotone decora-tion on a tall slim tankard, delicately suggested mountainswith clusters of pine trees in the foreground. M. E. Challinor displayed a decoration that was perhaps one of the best ex-amples of the realistic school of thought in the entire collec-tion. A tender grey blue ground with lovely beads of pink andwhite phlox. An exhibition of work from Topeka, Kansas,should have special mention. It combined both schools ofart, but the most striking feature was the beauty of BURLEY EXHIBITION 204 RERAMIC STUDIO ANSWERS TO CORRESPONDENTS L. M. P.—-The cause of enamels chipping is due to either under-fire ornot proper proportions of flux. It is best to make tests until you are morefamiliar with the work. A. B. M.—Write to Brentano Book Co., New York City in regard tobooks on art. E. S.—To make your water colors stick on paper used for making camerapictures use paste or liquid oxgall which can be procured at any good dealerin artist materials. J. C. K.—We think that the different tints and novelties in water colorpaper may be procured in any of the leading artists supplies stores advertisingin Keramic Studio. Mrs. M. S.—The cause of your colors rubbing off is due to either beingunder-fired or the color has not enough flux in it. It is best to dust on allMatcolors. S. J.—We are not famihar with substitute turpentine. You had bettermake a test before using it. It is best to leave the enamels for the last firefor fear of chipping; if they are very f
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Keywords: ., bookcentury1800, bookdecade189, booksubjectdecorationandornament
