Zeus : a study in ancient religion . 6, id. The Great Chaliceof Antioch pp. 63 ff., 74. 6 Whether this individualisation was in any degree due to tooling or retouching of theoriginal figures before the first gilding of the shell is a point that calls for carefulinvestigation. ^ In The Cambridge Review 1923—1924 xlv. 253 f. ^ In The Burlington Magazine for Sept. 1924 (xlv. 109). ^ R. Garrucci Vetri ornati di figure in oro trovati nei rimiteri dei cristiani primitivi diRoma Roma 1858 p. 4of. pi. 18, 4 (not 3, as both Prof. Burkitt and Sir M. Conway cite Zeus Philios 1207 This shows a youthful Ch
Zeus : a study in ancient religion . 6, id. The Great Chaliceof Antioch pp. 63 ff., 74. 6 Whether this individualisation was in any degree due to tooling or retouching of theoriginal figures before the first gilding of the shell is a point that calls for carefulinvestigation. ^ In The Cambridge Review 1923—1924 xlv. 253 f. ^ In The Burlington Magazine for Sept. 1924 (xlv. 109). ^ R. Garrucci Vetri ornati di figure in oro trovati nei rimiteri dei cristiani primitivi diRoma Roma 1858 p. 4of. pi. 18, 4 (not 3, as both Prof. Burkitt and Sir M. Conway cite Zeus Philios 1207 This shows a youthful Christ (CRISTVS) seated with a group of eight or more^Saints to right and left of him. As on the chalice, they occupy high chairs witha rounded back, most of them holding rolls, two extending their right highest pair is inscribed petrvs and [pa]v[lvs]. The lowest four areTIMOTEVS, SVSTVS, SIMON, FLORVS—Roman Christians of the third or fourthcentury^. The glass itself is assigned to the age of Pope Damasus(366—)^. Fig. 1009. But the makers of these gilded glasses often gave new names to old designs,and Prof. Burkitt* rightly traces the type back to a ceiling in the Catacomb ofPetrus and Marcellinus. J. Wilpert holds that the ceiling in question dates fromthe middle of i. iii and depicts the Judgment with the Saints as assessors^ It is clear that we have here one element in the design of the Antioch that is not all. Prof. Burkitt*^ very justly observes that the left arm of the it), id. Storia della arte cristiana nei primi otto secoli della chiesa Prato 1881 iii. 159 f. , 4 (more complete) = my fig. 1009, C. M. Kaufmann Handbuch der christlichenArchdologie Paderborn 1913 p. 623 fig. 253, 7. On the vestments lettered 31 ^.nd J seeGarrucci Storia iii. 160. 1 Originally, perhaps, ten: the glass is broken away to right and left. 2 Timotheus was martyred in 301 (?), Sustus Xystus (Sixtus ii) in 258 ^ H. YoY>&\ Die altchristlichen Gold
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