. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. ons of Ludolf Ursleu the Younger. Translated by Muriel Almon 339 Midnight. Translated by Margarete Miinsterberg 485 ILLUSTRATIONS —VOLUME XVIII To Beauty. By Max Klinger Frontispiece Gerhart Hauptmann 2 Gerhart Hauptmann. By Nicola Perscheid 32 The Silesian Weavers (1847 ). By Karl Hiibner 62 Misery. By Max Klinger 92 Intermezzo I. By Max Klinger 122 Intermezzo II. By Max Klinger Bear and Sprite. By Max Klinger 182 The Messengers. By Max Klinger 208 Moonlight Night. By Max Klinger 230 Melod
. The German classics of the nineteenth and twentieth centuries; masterpieces of German literature. ons of Ludolf Ursleu the Younger. Translated by Muriel Almon 339 Midnight. Translated by Margarete Miinsterberg 485 ILLUSTRATIONS —VOLUME XVIII To Beauty. By Max Klinger Frontispiece Gerhart Hauptmann 2 Gerhart Hauptmann. By Nicola Perscheid 32 The Silesian Weavers (1847 ). By Karl Hiibner 62 Misery. By Max Klinger 92 Intermezzo I. By Max Klinger 122 Intermezzo II. By Max Klinger Bear and Sprite. By Max Klinger 182 The Messengers. By Max Klinger 208 Moonlight Night. By Max Klinger 230 Melody. By 0. Zwintscher 246 Peace in the Metropolis. By Fritz Kalhnorgen 280 Ferdinand von Saar 292 Detlev von Liliencron 294 Prince Emil von Schonaich-Carolath 298 Gustav Falke 300 Isolde Kurz 302 Richard Dehmel 306 Arno Holz 308 Otto Julius Bierbaum 310 Stefan George 312 Lulu von Strauss und Torney 316 Borries von Miinchhausen 320 Ricarda Huch 336 Aphrodite. By Max Klinger 374 Psyche at the Sea. By Max Klinger 400 Zeus and Eros. By Max Klinger 440 The Abduction of Prometheus. By Max Klinger 476. THE LIFE OF GERHART HAUPTMANN By LuDwiG Lewisohn, Assistant Professor of the German Language and Literature, Ohio State University OR a number of years the literary physiog-nomy of Gerhart Hauptmann was felt, bycritics and historians of literature, to belacking in definiteness of outline. It iseven now not uncommon to find Haupt-mann described as one still in search ofthe final medium of self-expression. Therapidity, however, with which literary and philosophicalmovements follow one another in modem life, should enableus to see the work of Hauptmann in a truer light, an exacterperspective. The fact is that the drama of Hauptmann, viewed in itstotality, is remarkably representative of its epoch in thehistorj of literature and thought. The frequent contrastsin his work between idealism and sheer realism are not dueto personal vacillation, but rather to the uncontrollableZeitgeist exp
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Keywords: ., bo, bookcentury1900, bookdecade1910, booksubjectenglishliterature
