The International Studio /June 1915 . talent of theirdesigner, Mr. Bertram G. Goodhue. At SanDiego you have in brief something that at oncestrikes a picturesque and appropriate note. Theremaining buildings which, with the exception ofthe Music Pavilion, are the creation of Mr. Frank or pathways skirting the crest of the hill, and youwill experience the sensation of being in the gar-dens of a typical Mexican mission. The mindindeed travels even farther back—back to theAlcazar of Sevilla, the Generalife, and to remoteand colourful Byzantium. Unlike most of itspredecessors, the San Diego Expositi
The International Studio /June 1915 . talent of theirdesigner, Mr. Bertram G. Goodhue. At SanDiego you have in brief something that at oncestrikes a picturesque and appropriate note. Theremaining buildings which, with the exception ofthe Music Pavilion, are the creation of Mr. Frank or pathways skirting the crest of the hill, and youwill experience the sensation of being in the gar-dens of a typical Mexican mission. The mindindeed travels even farther back—back to theAlcazar of Sevilla, the Generalife, and to remoteand colourful Byzantium. Unlike most of itspredecessors, the San Diego Exposition does notconvey an impression of impermanency. Theluxuriance of the floral and arboreal accompani- ^^r:rr:-s^-- r^^^^^ssc motif with conspicuous success. None of them srii^szzsi; ™: IIS?is fs!incl sense ° beritoMt> uncommon capacity for the assimilation and adap-tation of this singularly effective architectural st vie. which is at one with the land and its people—avisible expression of the collective soul of Panama-California Exposition, San Diego CVI A MISSION PATIO SOUTHERN COUNTIES BUILDING
Size: 1409px × 1773px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., book, bookcentury1900, booksubjectcalifornia, booksubjectsandiego
