Portrait of a man. Fratelli D’Alessandri, photographer (Italian, founded about 1850, dissolved 1930) about 1860–1869 This photograph sits in an album that intermixes pages of cartes-de-visite with full-page photocollages. Victorian collagists took their photographic materials primarily from cartes-de-visite. Patented by André Adolphe Eugène Disdéri in 1854, the carte-de-visite was easily and inexpensively printed (). By the 1860s, _cartomania _ had taken hold. It became customary to exchange cartes-de-visite on social calls. These small studio portraits measure 3 ½ x 2 1/8 inche
Portrait of a man. Fratelli D’Alessandri, photographer (Italian, founded about 1850, dissolved 1930) about 1860–1869 This photograph sits in an album that intermixes pages of cartes-de-visite with full-page photocollages. Victorian collagists took their photographic materials primarily from cartes-de-visite. Patented by André Adolphe Eugène Disdéri in 1854, the carte-de-visite was easily and inexpensively printed (). By the 1860s, _cartomania _ had taken hold. It became customary to exchange cartes-de-visite on social calls. These small studio portraits measure 3 ½ x 2 1/8 inches, about the size of a playing card. It is not known whether they removed the photographs from the thick cardstock on which they had been mounted or obtained unmounted prints from the photographer. People also collected cards of the royal family, actors, and politicians (see for example, the image of Princess Christina of the United Kingdom found in this album). A woman’s collection of cartes-de-visite visually displayed her social circle and favorite celebrities The cartes-de-visite could be inserted in specially manufactured album pages that came with slots. Carolyn Peter, J. Paul Getty Museum, Department of Photographs 2021 For more information about this album see the extended essay.
Size: 1371px × 1878px
Photo credit: © piemags/GB24 / Alamy / Afripics
License: Licensed
Model Released: No
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