. Programme. nna, December 5, 1791.) The autograph score gives the date, Salzburg, January, 1776. T. deWyzewa and G. de Saint-Foix in their monumental work W. A. Mozart(1756-1777) find in this Serenade the inventive spirit and humor of theMozart of 1775. They suggest that the Serenade may have been for aNew Years surprise for his sister, or for the two young daughters ofthe Countess Lodron, in whose family he was a welcome visitor. For themhe wrote many Httle works. The duty of the second orchestra is to doublethe parts of the first when there is no echoing response, or to fill in withthemes t
. Programme. nna, December 5, 1791.) The autograph score gives the date, Salzburg, January, 1776. T. deWyzewa and G. de Saint-Foix in their monumental work W. A. Mozart(1756-1777) find in this Serenade the inventive spirit and humor of theMozart of 1775. They suggest that the Serenade may have been for aNew Years surprise for his sister, or for the two young daughters ofthe Countess Lodron, in whose family he was a welcome visitor. For themhe wrote many Httle works. The duty of the second orchestra is to doublethe parts of the first when there is no echoing response, or to fill in withthemes the intervals in diverse phrases. The effect of the music dependslargely on a wide separation of the two orchestras, and on the some-what strange atmosphere created by this dialogue, exchanged from thetwo extremities of a salon. The violins have the dominating part. The viola almost alwaysdoubles one of the other voices. BONDS OF THE HIGHEST GRADE HARRIS , FORBES INCORPORATED & CO 35 FEDERAL STREET, BOSTON. MusiQUE POUR LES SouPERS* Du Roy: Chaconne Gracieuse (1712) Michel Richard de Lalande (Born at Paris, December 15, 1657; died at Paris on June 18, 1726.) Lalande was the fifteenth child of poor parents. As a choir-Boy in thechurch of Saint-Germain IAuterrois he studied music with industrious, he learned almost by himself to play the vioHn, bass viol,clavecin, and other instruments. As violinist he was rejected by Lulli,so that he broke his fiddle and was in turn organist of four churches inParis for which he composed. He became the teacher of the princesseswho were afterwards Duchess of Orleans and Madame la XIV. appointed him master of his chamber music, loaded himwith favors, and mourned with him in his domestic afflictions. Lalandereceived a pension of 3,000 livres when he retired in 1722. He was forforty-five years in the service of the French court. He composed sixtymotets, chonis and orchestra, for the chapel at Versailles. They werepublishe
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