Figural spill vase 1849 Lyman, Fenton & Co. The middle of the nineteenth century witnessed a proliferation of relief-molded earthenware covered with an allover mottled brown enameled glaze. Often referred to as Rockingham ware in homage to similar ware first produced in England on the property of the marquis of Rockingham, many of the original molds and designs were brought from England by itinerant potters who fashioned these wares. Variations occur in the glazes by the means of application—dipping, sponging, or splashing—and with the addition of colored oxides. Relief-molded pitchers were th
Figural spill vase 1849 Lyman, Fenton & Co. The middle of the nineteenth century witnessed a proliferation of relief-molded earthenware covered with an allover mottled brown enameled glaze. Often referred to as Rockingham ware in homage to similar ware first produced in England on the property of the marquis of Rockingham, many of the original molds and designs were brought from England by itinerant potters who fashioned these wares. Variations occur in the glazes by the means of application—dipping, sponging, or splashing—and with the addition of colored oxides. Relief-molded pitchers were the most common forms, but slip-cast animal figures such as a recumbent cows, lions, poodles, and deer, were also popular. This figure of a reclining stag on a base is one of a pair; its complimentary mate is a doe. The two opposite-facing figures were intended as mantel ornaments. The hollow tree trunk behind the stag was used to hold paper or wood spills for lighting candles or oil Figural spill vase. American. 1849. Earthenware with flint enamel glaze. Made in Bennington, Vermont, United States
Size: 2164px × 1720px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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