. A short history of art . THE CATHEDRAL OF BURGOS A mingling of French plan, Moorish detail and German influence in the plain facade and openworli THE CATHEDRAL OF LIXCOLN Shows gradual development. The lower central part Norman; late Gothic windows added and central arch pointed; enclosed end and top by thirteenth century work, to which a fourteenth century parapet is added. Lower part of towers twelfth century, the upper fourteenth and fifteenth. GOTHIC ARCHITECTURE 197 pressed, windows of great size; bar tracery with slendermuUions and geometric combinations in window-heads; cir-c
. A short history of art . THE CATHEDRAL OF BURGOS A mingling of French plan, Moorish detail and German influence in the plain facade and openworli THE CATHEDRAL OF LIXCOLN Shows gradual development. The lower central part Norman; late Gothic windows added and central arch pointed; enclosed end and top by thirteenth century work, to which a fourteenth century parapet is added. Lower part of towers twelfth century, the upper fourteenth and fifteenth. GOTHIC ARCHITECTURE 197 pressed, windows of great size; bar tracery with slendermuUions and geometric combinations in window-heads; cir-cular rose-windows. 3. Florid Gothic Period (1375-1525), called Flamboyantin France; Perpendicular in England. Vaults of varied andrichly decorated design; in England fan vaulting and pend-ants ; in Germany and Spain, vault ribs curved into fancifulpatterns; profuse and minute decoration; highly natural-istic carving. In France, flowing or flamboyant tracery; inEngland, perpendicular bars with horizontal transoms andfour-centred arches; branch tracery in Germany. (Adaptedfrom A. D. F. Hamlins History of Architecture.) GOTHIC SCULPTURE IN THE NORTH Got
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
