Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . the composition is that of a master hand. The two scenesfrom the Tempest 29, The Departure from the Enchanted Isle,and 100, A Ship at Sea with thunder and lightning arepowerfully , HAWES, Powder Barge Passing Erith, 7, is a careful bit of legitimate. II work, without trick. It is well drawn, and cool and clear incolour. The same may be said of Blackfriars Bridge, 3 onthe Screen. The light of a grey London day is well ren-dered, with the Thames in that lumpy condition it some-times is, when below bridge
Illustrated notes upon the pictures in the Dramatic Fine Art Gallery, 1880. . the composition is that of a master hand. The two scenesfrom the Tempest 29, The Departure from the Enchanted Isle,and 100, A Ship at Sea with thunder and lightning arepowerfully , HAWES, Powder Barge Passing Erith, 7, is a careful bit of legitimate. II work, without trick. It is well drawn, and cool and clear incolour. The same may be said of Blackfriars Bridge, 3 onthe Screen. The light of a grey London day is well ren-dered, with the Thames in that lumpy condition it some-times is, when below bridge there is just a suspicion of a , GEORGE. Mr. Conquest has undoubted abilities as a painter, as thetwo landscapes in oil, 86, 87, and his Portrait of MrCharles Dillon as Belphegor, 43, abundantly testify.
Size: 2205px × 1133px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, booki, booksubjectdrawingbritish
