. Prints; a brief review of their technique and history . H 2. 9H THE XETHERLANDS try life which characterizes all his Ruysdael. the landscape painter, hassketched on the copper a number of charac-teristic subjects, none, perhaps, finer thanthis clump of sturdy, gnarled oaks, withroots bathed in a shallow pool. The distanttrees are flooded with sunlight, while theforeground is toned down to a lower this is done in the simplest possible man-ner. The whole plate speaks of close, care-ful observation, and truthfully, suggestivelyexpresses actual nature. Another notablefeature i
. Prints; a brief review of their technique and history . H 2. 9H THE XETHERLANDS try life which characterizes all his Ruysdael. the landscape painter, hassketched on the copper a number of charac-teristic subjects, none, perhaps, finer thanthis clump of sturdy, gnarled oaks, withroots bathed in a shallow pool. The distanttrees are flooded with sunlight, while theforeground is toned down to a lower this is done in the simplest possible man-ner. The whole plate speaks of close, care-ful observation, and truthfully, suggestivelyexpresses actual nature. Another notablefeature is the subordination of the , as in Rembrandts Three Trees,the figures are quite subordinate: the quietbeauty of the scenery presented is the maintheme of the artists message. Passing bynumerous other delightful landscape etch-ers, Everdingen. Waterloo. Saftleven. like-wise the gifted etcher of animals. PaulPotter, we must turn now to Nicolas Berg-hem, who combines animal life with land-scape. In his masterpiece, kncnvn as the 85 PRINTS Diamond, t
Size: 1308px × 1910px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1910, bookpublis, booksubjectengravers
