Academy notes . « No. 31. 48 X 34. No. 31. *M Venetian bead-threadery Hilda MONTALBA. Near the above are landscapes—No. 33, ^ Grey Afternoon ; and 34, Where the Waters Gently Pass, J. C. * No. 35. 36 X 29. No. 35. The Source of the Thames: ViCAT COLE, This picture is the first of a series to illustrate the Thames fromits source to the sea. Gallery I, II Here we note, for paintingof textures, No. 36,M Vil-lage Maestro, FederigoAndreotti ; also No. 37, My First Sitting; H. ; and No. 38, APortrait! R- Herdman. On the west wall is oneof several Dutch landscapesby J. E.

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Academy notes . « No. 31. 48 X 34. No. 31. *M Venetian bead-threadery Hilda MONTALBA. Near the above are landscapes—No. 33, ^ Grey Afternoon ; and 34, Where the Waters Gently Pass, J. C. * No. 35. 36 X 29. No. 35. The Source of the Thames: ViCAT COLE, This picture is the first of a series to illustrate the Thames fromits source to the sea. Gallery I, II Here we note, for paintingof textures, No. 36,M Vil-lage Maestro, FederigoAndreotti ; also No. 37, My First Sitting; H. ; and No. 38, APortrait! R- Herdman. On the west wall is oneof several Dutch landscapesby J. E. Hodgson, —No. 42. A Day Far Spent!Next is a portrait picture — No. 43. Dorothy Thorpe,J. E. MiLLAis, A fair child, front-face,in light blue frock, kneeling,with two dogs. The sketchof this picture is omitted bydesire of the purchaser.

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Size: 1438px × 1736px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No

Keywords: ., boo, bookcentury1800, bookdecade1870, booksubjectart, bookyear1875