Gothic architecture in France, England, and Italy . END OF VOLUME I Cambridge: PRINTED BY JOHN CLAY, THE UNIVERSITY PRESS BINDING SECT. AUG 2 6 1982 PLEASE DO NOT REMOVECARDS OR SLIPS FROM THIS POCKET UNIVERSITY OF TORONTO LIBRARY NA Jackson, (Sir) Thomas Graham, ^40 Bart J3 Gothic Architecture in France England, and Nee minimum meruere decus vestigia GraecaAusi deserere et celebrare domestica facta. Hor. Ars Poetica. Cambridge: at the University Press 1915 oc, (CambnBge: PRINTED BY JOHN CLAY, THE UNIVERSITY PRESS PREFACE ALTHOUGH this book, which treats of a
Gothic architecture in France, England, and Italy . END OF VOLUME I Cambridge: PRINTED BY JOHN CLAY, THE UNIVERSITY PRESS BINDING SECT. AUG 2 6 1982 PLEASE DO NOT REMOVECARDS OR SLIPS FROM THIS POCKET UNIVERSITY OF TORONTO LIBRARY NA Jackson, (Sir) Thomas Graham, ^40 Bart J3 Gothic Architecture in France England, and Nee minimum meruere decus vestigia GraecaAusi deserere et celebrare domestica facta. Hor. Ars Poetica. Cambridge: at the University Press 1915 oc, (CambnBge: PRINTED BY JOHN CLAY, THE UNIVERSITY PRESS PREFACE ALTHOUGH this book, which treats of a definite1~\ period of Post-Roman architecture, may be readindependently, it is in fact a continuation of the historyI published in 1913 of the Byzantine and Romanesquestyles. I venture to hope that by the two books, takenin connexion with one another, the student may behelped to a consistent idea of mediaeval architecture,from its origin in the decay of Roman Art to its finalstages in the 16th century. I have therefore not hesitatedto refer frequently from this book to its is only by regarding the Art as a whole, tracing itscareer, following its steady and unbroken growth, andshowing how it changed as the times changed, and keptpace with the progress of society that it can really beunderstood. Gothic architecture att
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