. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . r ■* i z i X _ , _ X ! iipsyi a i I i -F—0+-+- •^± &c 4 ° 3 Be careful in extending the fingers, that you do not cramp the hands, or contra
. The eclectic piano-forte school : arranged from the works of the best European composers, namely Cramer, Clementi, Herz, Hunten, Beyer, Burgmuller, Czerny, Bertini, Moscheles, Diabelli, Kalkbrenner, A. Schmitt, Wallace, Rosellen, &c., with selections from popular American authors : the whole forming an elementary and progressive course of instructions with scales, exercises, and pieces carefully fingered according to the latest and most approved method . r ■* i z i X _ , _ X ! iipsyi a i I i -F—0+-+- •^± &c 4 ° 3 Be careful in extending the fingers, that you do not cramp the hands, or contract the muscles. With proper attention the aboveexercises will be found invaluable in giving a free, firm, and equal touch. 46 TWELVE MAJOR SCALES FINGERED. The pupil should at first play each hand separately, then put the Treble and Base together. Play slowly at first, and graduallyincrease the velocity. Repeat each scale ten times, and finish with the concluding half note. No. 1. TWELVE MAJOR SCALES FINGERED. 47 thirASna/enertaltrUle wV11^ ^^^ the right ^^ iS pkC6d °n Bb- Great Care Sh0uld be taken« in PlaciQS the thumb under thethird finger, not to sink the wrist, as it gives an awkward, limping motion to the hand. No. 7. F. x x 2 3 2 !23X ^ £■£ £ » a ♦ f j- f 1~ 1- -F -F X
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Keywords: ., bo, bookcentury1800, bookdecade1850, bookideclecticpianofor00pete
