The nation . nked;pleasant and illuminating. Heloise andAbelard by Etienne Gilson (Ann Arbor,$). Emphasizes the philosophic andcultural significance of the pair and theirrelationships. The Life of Charlemagneby Einhard (Ann Arbor, $). A con-temporary of Charlemagne revives themanner of Suetonius. Fiction: Jacobs Room and The Wavesby Virginia Woolf (Harvest, 1 vol.,$). Caleb Williams by William God-win (Rinehart, $). A ConnecticutYankee in King Arthurs Court by MarkTwain (Hill and Wang, $). TheCrock of Gold by James Stephens (Mac-millan, $). The Magician of Lublinby Isaa
The nation . nked;pleasant and illuminating. Heloise andAbelard by Etienne Gilson (Ann Arbor,$). Emphasizes the philosophic andcultural significance of the pair and theirrelationships. The Life of Charlemagneby Einhard (Ann Arbor, $). A con-temporary of Charlemagne revives themanner of Suetonius. Fiction: Jacobs Room and The Wavesby Virginia Woolf (Harvest, 1 vol.,$). Caleb Williams by William God-win (Rinehart, $). A ConnecticutYankee in King Arthurs Court by MarkTwain (Hill and Wang, $). TheCrock of Gold by James Stephens (Mac-millan, $). The Magician of Lublinby Isaac B. Singer (Noonday, $;cloth, $). Heavens My Destinationby Thornton Wilder (Anchor, 95c).The Magnificent Amber sons by BoothTarkington (Avon, 50c). Anthony Ad-verse by Hervey Allen (Bantam, 95c).The Neon Wilderness by Nelson Algren(Hill and Wang, $). The UglyAmerican by William J. Lederer andEugene Burdick (Crest, 50c). See alsoDoubledays new Dolphin series. SAVE YOUR COPIES OF THE NATION THEATRE. • Each file holds alull years copies. • Jesse Jones VolumeFiles lor every publi-cation. • Covered In durableiMthll Ufa Klvnr, titleembossed In 16 Satisfaction rumi Attractive and practical for your home or office 8 for $ <; for OBDBB now — send clink or inonoj onlor Magazine File Fifth AvenueNew York 36, N. Y. rnPP DESCRIPTIVE FOLDERI nCC UPON REQUEST Robert Hatch Shakespeare OVER the past several summers, theAmerican Shakespeare Festival at Strat-ford, Conn., has developed a distinctstyle for presenting the great is so creamy at Stratford as to bealmost edible; it is a designers theatre. This emphasis on a confectionery visionstems no doubt from the current scholar-ly position that the Elizabethan stage,far from being bare space cloaked onlyin passionate imagination, was a sumptu-ous tabernacle hung with rare stuffs,peopled with fabulous throngs and ca-pable of marvels. Even so, I think it anerror today to set Shakesp
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Keywords: ., bookcentury1800, bookdecade1860, bookidnation191jul, bookyear1865
