. International studio. Inness Gold Meilal, igcgEARLY MOONRISE BY BEN FOSTER. H.\RBOR .AT BOUL.^NGER moved from this in treatment though somewhatrelated to it in subject is a canvas such as Ajterthe Ball, by Charles Bittinger, which expresses thepast in terms of the present. But the obvioussubject, possessed of a certain quaint charm initself, seems nevertheless to have been used as apretext for certain experiments in light and color,in which the effect of the lamp light on the figures of the two young women inball gowns and the sugges-tion of the out-of-door lightof approaching dawn throughth
. International studio. Inness Gold Meilal, igcgEARLY MOONRISE BY BEN FOSTER. H.\RBOR .AT BOUL.^NGER moved from this in treatment though somewhatrelated to it in subject is a canvas such as Ajterthe Ball, by Charles Bittinger, which expresses thepast in terms of the present. But the obvioussubject, possessed of a certain quaint charm initself, seems nevertheless to have been used as apretext for certain experiments in light and color,in which the effect of the lamp light on the figures of the two young women inball gowns and the sugges-tion of the out-of-door lightof approaching dawn throughthe high leaded window be-come the real theme of thepicture. This has been ac-complished with so muchunderstanding of the valueand character of light as totake this picture out of therealm of the anecdotal intothe domain of modern, ex-perimental art, which is en-deavoring to rid itself of rulesand formulas. In a sense itis the link between the oldand the new, making certainconcessions to the public de-mand for a subject whileBY E. w. REDFiELD advancing along the progres- LII
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
