. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . 3 ^ 83 8 8 g:E??z:p.:|~ __:|:d:;. t t t ft t . Heke you may perceive, that by removing thofeNotes of the^^/z^^ji lower, all the Sths slxctaken away, exempt, that Ieafe. But I wouldhave you take Notice,that Bajfes conjifling much of Notes which require he joined to them^ are more apt for feiv, than formany Parts, 1l\\q like may be faid of BajS[es xh^tmove much by Degrees. mht^^^ § 13. OfTranfition or Breaking a Nqte**^ t ON E thing, yet renaaihs, very neceifary (fome-times)in Compofition; an
. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . 3 ^ 83 8 8 g:E??z:p.:|~ __:|:d:;. t t t ft t . Heke you may perceive, that by removing thofeNotes of the^^/z^^ji lower, all the Sths slxctaken away, exempt, that Ieafe. But I wouldhave you take Notice,that Bajfes conjifling much of Notes which require he joined to them^ are more apt for feiv, than formany Parts, 1l\\q like may be faid of BajS[es xh^tmove much by Degrees. mht^^^ § 13. OfTranfition or Breaking a Nqte**^ t ON E thing, yet renaaihs, very neceifary (fome-times)in Compofition; and that is, to makefmooth or fweeten the roughnefs of a Leap, by agradual Tranfition to the Note next following,I which is commonly called the
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