. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . COPYRIGHT, 1911, REVIEW OF REVIEWS CO. THE FIRST INDIANA HEAVY ARTILLERY AT BATON ROUGE. COPYRIGHT, 1911, REVIEW Of REVIEWS CO. PHOTOGRAPHS THAT FURNISHED VALUABLE SECRET-SERVICE INFORMATION TO THE CONFEDERATES The clearest anil most trustworthy evidence of an opponents strength is of course an actual photograph. Such evidence, inspite of the early stage of the art and the difficulty of running in chemical supplies on orders to trade, was supplied the Con-federate lea
. The photographic history of the Civil War : thousands of scenes photographed 1861-65, with text by many special authorities . COPYRIGHT, 1911, REVIEW OF REVIEWS CO. THE FIRST INDIANA HEAVY ARTILLERY AT BATON ROUGE. COPYRIGHT, 1911, REVIEW Of REVIEWS CO. PHOTOGRAPHS THAT FURNISHED VALUABLE SECRET-SERVICE INFORMATION TO THE CONFEDERATES The clearest anil most trustworthy evidence of an opponents strength is of course an actual photograph. Such evidence, inspite of the early stage of the art and the difficulty of running in chemical supplies on orders to trade, was supplied the Con-federate leaders in the Southwest by Lytle, the Baton Rouge photographer—really a member of the Confederate secret are photographs of the First Indiana Heavy Artillery (formerly the Twenty-first Indiana Infantry), showing its strengthand position on the arsenal grounds at Baton Rouge. As the Twenty-first Indiana, the regiment had been at Baton Rouge duringthe first Federal occupation, and after the fall of Port Hudson it returned there for garrison duty. Little did its officers suspect thatthe quiet man photographing the batteries at drill was about to convey the information beyond their lines to their opp
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Keywords: ., bookauthormillerfrancistrevelya, bookcentury1900, bookdecade1910
