William Pether. The Rabbi. 1778. England. Mezzotint on ivory laid paper Like his contemporaries, William Pether used mezzotint to disseminate important master paintings. In this case, he copied Rembrandt van Rijn’s distinctively posed, stoic rabbi. Mezzotint was an ideal medium with which to reproduce Rembrandt’s composition, with its dramatic, Baroque use of chiaroscuro. Not only does mezzotint retain these qualities, but its rich undertones also add to the spotlighted effects. With a touch of theatricality, the portrait focuses on his craggy features. The rabbi is statuesque, demanding rever
William Pether. The Rabbi. 1778. England. Mezzotint on ivory laid paper Like his contemporaries, William Pether used mezzotint to disseminate important master paintings. In this case, he copied Rembrandt van Rijn’s distinctively posed, stoic rabbi. Mezzotint was an ideal medium with which to reproduce Rembrandt’s composition, with its dramatic, Baroque use of chiaroscuro. Not only does mezzotint retain these qualities, but its rich undertones also add to the spotlighted effects. With a touch of theatricality, the portrait focuses on his craggy features. The rabbi is statuesque, demanding reverence from those before him.
Size: 2186px × 3000px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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