International studio . relates with afinely poised brush. Johann Pentelei-Molnar sent studies of still life, greencayenne-pepper plants, simple anddirect in treatment and refined incolouring, Hugo Darnaut imaginativedreamy motifs from the Wachau,Eduard Zetche some charming land-scapes from other parts of Austria,Josef Kopf several water-colours ofDordrecht, and Johann Nep. Gellermarket scenes in Cracow, Raab, andPressburg. Adolf Kaufmann has a finefeeling for decorative effect in land-scape painting. His work is charac-terised by breadth of treatment,particularly in the light and shadeeffects.
International studio . relates with afinely poised brush. Johann Pentelei-Molnar sent studies of still life, greencayenne-pepper plants, simple anddirect in treatment and refined incolouring, Hugo Darnaut imaginativedreamy motifs from the Wachau,Eduard Zetche some charming land-scapes from other parts of Austria,Josef Kopf several water-colours ofDordrecht, and Johann Nep. Gellermarket scenes in Cracow, Raab, andPressburg. Adolf Kaufmann has a finefeeling for decorative effect in land-scape painting. His work is charac-terised by breadth of treatment,particularly in the light and shadeeffects. Eduard Ameseders picturesare always interesting and his work isdistinguished by value and refinedworkmanship. Among the works heexhibited, On the Italian Riviera is anotable example of this artists methodof treatment. Thomas Leitners land-scapes exhibit a freshness in executionand keen perceptive power which lendthem great charm. Jehudo Epsteinschief merit lies in his broad and effec-tive manner of handling the STEI ANSILATZ (Kiinslkr/iatis, Il BY OTTO HKRSCHEL67 Studio- Talk a short time ago at the hands of a fanatic. Themodel shows great strength of purpose and harmonyof proportions. A. S. L. PRAGUE.—One of the most interestinj;features in recent exhibitions here was un-doubtedly a large collection of paintingsby Jakub Obrovsky, a young Czech artist,who here for the first time exhibited a greatamount of his work. Hitherto quite unknown,he appeared suddenly before the public as amaster. Obrovsky, who is a Moravian by birth,attended the Prague Academy, under ProfessorPimer, after having passed through the Prague Artsand Crafts School. This early technical trainingperhaps accounts for his strong decorative tendencyand excellent workmanship and for the greatcertainty of his drawing and modelling. But apartfrom this real technical excellence he is a brilliantcolourist, with a special liking for daring chromatic problems, and he astonishes us by his masterlysolution of t
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
