Nature's inexpressiveness of nature to a white marble they say that it is S. Girolamo, Elevation of the part of west of the S, Presepio, Elevata of the sepulchro of the beautiful Rachel, Statue of the Church Father Jerome near the Nativity in Bethlehem, Rachel's Tomb in Bethlehem, Fig. 6, 8, 9 u., 10, according to p. 14, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa disegnate in Jerusalemme secondo le regole della Prospettiva & vera misura della lor grandezza. Firenza: appresso Pietro

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Nature's inexpressiveness of nature to a white marble they say that it is S. Girolamo, Elevation of the part of west of the S, Presepio, Elevata of the sepulchro of the beautiful Rachel, Statue of the Church Father Jerome near the Nativity in Bethlehem, Rachel's Tomb in Bethlehem, Fig. 6, 8, 9 u., 10, according to p. 14, Amico, Bernardino (inv.); Tempesta, Antonio (sc.), 1591, Bernardino Amico da Gallipoli: Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa disegnate in Jerusalemme secondo le regole della Prospettiva & vera misura della lor grandezza. Firenza: appresso Pietro Cecconcelli, 1620 (am Schluss [1619])

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Photo credit: © Artokoloro / Alamy / Afripics
License: Licensed
Model Released: No

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