Courtesan and Attendant with a Cage of Fireflies ca. 1770 Ippitsusai Bunchō Japanese Nishikigi and an attendant are captured before an open doorway as they stroll on a hot summer night. Their way is lit by lanterns in a wisteria arbor and by a cage of fireflies. Perhaps owing to the season, Nishikigi is not wearing the brocade costume suggested by her name but a silk kosode with abbreviated decorations of bamboo at the edges of the hem and sleeves. Her tiny arms are visible through the sheer fabric. The trailing ends of her obi, tied high above her waist, echo the curve of her body. The transi
Courtesan and Attendant with a Cage of Fireflies ca. 1770 Ippitsusai Bunchō Japanese Nishikigi and an attendant are captured before an open doorway as they stroll on a hot summer night. Their way is lit by lanterns in a wisteria arbor and by a cage of fireflies. Perhaps owing to the season, Nishikigi is not wearing the brocade costume suggested by her name but a silk kosode with abbreviated decorations of bamboo at the edges of the hem and sleeves. Her tiny arms are visible through the sheer fabric. The trailing ends of her obi, tied high above her waist, echo the curve of her body. The transitory nature of her profession is echoed by the banana-leaf design on the screen inside the Courtesan and Attendant with a Cage of Fireflies 51997
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Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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