The Catholic encyclopedia (Volume 9); an international work of reference on the constitution, doctrine, discipline and history of the Catholic Church . s basedthe Appeal of the thirty-three clergymen, againsthis administration. The appellants obtained a fa-vourable hearing at Rome. Listers tract was sup-pressed by papal Brief (May, 1601), and Blackwellrebuked for his unreasonable conduct. Lister seemsto have resided continuously in England. His deathprobably occurred shortly before 1628. The treatiseAdversus factiosos is incorporated in ChristopherBagshaws (q. v.) Relatio compendiosa, turbarum
The Catholic encyclopedia (Volume 9); an international work of reference on the constitution, doctrine, discipline and history of the Catholic Church . s basedthe Appeal of the thirty-three clergymen, againsthis administration. The appellants obtained a fa-vourable hearing at Rome. Listers tract was sup-pressed by papal Brief (May, 1601), and Blackwellrebuked for his unreasonable conduct. Lister seemsto have resided continuously in England. His deathprobably occurred shortly before 1628. The treatiseAdversus factiosos is incorporated in ChristopherBagshaws (q. v.) Relatio compendiosa, turbarum;a portion of it is printed in Laws work cited below. DoDD, ed. TiERNEY, Church History of England, III (London,1840), cxxxiii sqq.; Gillow, Bibl. Diet. Eng. Cath., s. v.; Law,Historical Sketch of Conflicts between Jesuits and Seculars in thereign, of Elizabeth (London, 1889), appendix D; Morris, TheTroubles of our Catholic Forefathers, related by themselves, I(London, 1872). G. H. JoYOE. Liszt, Franz, admittedly the greatest pianist in theannals of music, and a composer whose status in musi-cal literature still forms a debatable question, b. at. Raiding, Hungary, 22 October, 1811; d. at Bayreuth,Germany, 31 July, 1886. His musical precocity wasearly recognized by his parents, and his first teacherwas his father, Adam Liszt, a musical amateur of rareculture. His first public appearance at Oedenburg atthe age of nine was of so startling a character, thatseveral Hungarian magnates who were present at onceassumed the financial responsibilities of his furthermusical education. Taken to Vienna by his father,who devoted himself exclusively to the development ofhis talented child, he studied the piano for six yearswith Czerny, and theory and composition with Salieriand Randhartinger. His first public appearance inVienna (1 Jan., 1823) proved a noteworthy event inthe annals of music. From Beethoven, who waspresent, down to the merest dilettante, everyone forth-with acknowledged his gre
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