Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . reux du sapin par ces levres etroitement pincees. On lapeutfaire de toutesles hauteurs; a seize-pieds, elle est fort originate, mais aussi rare qua deux; ahuit-pieds, elle chante avec beaucoup de melancolie; generalement, on ne la melange quaveclesjeux effiles et tranchants.—Regnier. 166 ORGAN-STOPS Formation.—The Hohlflote, of wood, is made in different forms; all with theaim of obtaining from pipes of moderate scales the maximum volume of the tonepeculiar to the stop,
Organ-stops and their artistic registration : names, forms, construction, tonalities, and offices in scientific combination . reux du sapin par ces levres etroitement pincees. On lapeutfaire de toutesles hauteurs; a seize-pieds, elle est fort originate, mais aussi rare qua deux; ahuit-pieds, elle chante avec beaucoup de melancolie; generalement, on ne la melange quaveclesjeux effiles et tranchants.—Regnier. 166 ORGAN-STOPS Formation.—The Hohlflote, of wood, is made in different forms; all with theaim of obtaining from pipes of moderate scales the maximum volume of the tonepeculiar to the stop, while speaking on a copious supply of wind at a moderatepressure. We cannot do better than describe the formation of the pipes of tworepresentative stops, made and voiced by the distinguished artist, EdmundSchulze, of Paulinzelle. The first stop, from the Organ formerly in the Town Hallof Northampton, was formed of quadrangular pipes of greater width than depth,with the mouth cut on a wide side. The lower portion of a pipe of this stop isshown, in Front View and Longitudinal and Transverse Sections, in Fig. 21. The.
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectorganmu, bookyear1921
