Doña María de la Luz Padilla y Gómez de Cervantes Miguel Cabrera (Mexican, 1695-1768). Doña María de la Luz Padilla y Gómez de Cervantes, ca. 1760. Oil on canvas, 43 x 33 in. ( x cm). Portraits of Pan-American Privilege These women’s ancestors were among the first European colonizers of the Americas. Some of those colonists crossed the Atlantic to serve the global ambitions of the various crowns of Europe, and others came as economic and religious refugees from Spain, England, and the Dutch Republic. By the eighteenth century, fabulous fortunes had been amassed throughout the region
Doña María de la Luz Padilla y Gómez de Cervantes Miguel Cabrera (Mexican, 1695-1768). Doña María de la Luz Padilla y Gómez de Cervantes, ca. 1760. Oil on canvas, 43 x 33 in. ( x cm). Portraits of Pan-American Privilege These women’s ancestors were among the first European colonizers of the Americas. Some of those colonists crossed the Atlantic to serve the global ambitions of the various crowns of Europe, and others came as economic and religious refugees from Spain, England, and the Dutch Republic. By the eighteenth century, fabulous fortunes had been amassed throughout the region, reflected here in the European-inspired dress and jewelry worn by three privileged Americans. Miguel Cabrera, eighteenth-century Mexico’s premier painter, portrayed Doña María de la Luz wearing imported silk brocade and five chiqueadores, or glued false beauty spots. Boston’s leading portraitist, John Singleton Copley, painted the monarchist Abigail Pickman Gardiner sporting an uncorseted dress—probably the artist’s invention, since the style was considered inappropriate in New England society but was the height of London fashion. The Hudson Valley portraitist Nehemiah Partridge captured Wyntje Van Vechten’s likeness with more restraint, emphasizing her simple hairstyle, minimal jewelry, and modest dress. American Art ca. 1760
Size: 1824px × 2739px
Photo credit: © BBM / Alamy / Afripics
License: Licensed
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