. A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) . ver, extremely sweet.—Kugier:Handbook of Painting: The Italian Schools, 1855, vol. ii. p. 341. IVood. 3oi in. x 22 in. ( x ). Purchased out of the Corsini Palace, Florence, about 1780 by GeorgeNassau, third Earl Cowper, and taken out of Florence in the lining of hiscarriage. Engraved by Perfetti in 1831 ; by George Doo in 1835, under the titleof The Messiah ; by J. N. HofF, in Passavants Kunstreise, p. 99. Cinelli: Le Bellez


. A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) . ver, extremely sweet.—Kugier:Handbook of Painting: The Italian Schools, 1855, vol. ii. p. 341. IVood. 3oi in. x 22 in. ( x ). Purchased out of the Corsini Palace, Florence, about 1780 by GeorgeNassau, third Earl Cowper, and taken out of Florence in the lining of hiscarriage. Engraved by Perfetti in 1831 ; by George Doo in 1835, under the titleof The Messiah ; by J. N. HofF, in Passavants Kunstreise, p. 99. Cinelli: Le Bellezze delta Citta di Firenze, 1677, p. 409. VVaagen:Treasures of Art in Great Britain, 1854, vol. iii. p. 10. Passavant : Raphael ofUrbino, 1872, p. 73 and p. 219. Crowe and Cavalcaselle : Life and f^orksof Raphael, 1882, i. p. 357. Julia Cartwright: The I,arly Work ofRaphael, in Portfolio Monograph, xiii. 1895, p. 74. R. Bercnson : Central ItalianPainters of the Renaissance, 1909, p. 234. Exhibited at Manchester, Art Treasures Exhibition, 1857, No. 141 ; alsoat Burlington House, Old Masters, 1881, No. 152. Lent by the Countess Cowper (from Panshanger). 99. ()7DOMENICO GHIRLANDAIO: 1449-1494 Florentine School PORTRAIT OF FRANCESCO SASSETTI AND HIS SON, TEODORO HALF-LENGTH figures, Smaller than life-size, Francesco, seatedin front, full-face, eyes looking downwards, wears a red fur-trimmed gown, f^istened round the waist with black cord, to whichis attached a pouch ; his right arm rests on the arm of his redchair. On the right his son, who is seen in profile to the left,and, with hands clasped, stands looking up at him. The boy wearsa grey, brocaded dress trimmed with white fur, dark green under-sleeves, and a scarlet cap. Through a window at the back areseen the sea, and a mountainous landscape with buildings. Across the upper part of the panel is an inscription : Fran-ciscvs Saxettvs Theodorvs Que. Le fond du tableau, reprcsentant un large flcure bordc de coHines, avecune ville


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