. Programme. , according to rule, every operaat the Academic Royale de Musique had passepieds in the prologue,musettes in the first act, tambourins in the second, and chaconnes andpassepieds in those remaining. Marie Anne Camargo was famousfor dancing the tambourin. There is a celebrated tambourin in RameausPieces for Clavecin; he introduced it afterwards in his opera-ballet,Les Fetes dHebe (Paris, 1739). There is another in Bertons Ahne,Reine de Golconde (Paris, 1803). A still more celebrated one is inAdams Le Sourd (Paris, 1853) with the couplets beginning:— Sur le pontdAvignon,En cadenceLon
. Programme. , according to rule, every operaat the Academic Royale de Musique had passepieds in the prologue,musettes in the first act, tambourins in the second, and chaconnes andpassepieds in those remaining. Marie Anne Camargo was famousfor dancing the tambourin. There is a celebrated tambourin in RameausPieces for Clavecin; he introduced it afterwards in his opera-ballet,Les Fetes dHebe (Paris, 1739). There is another in Bertons Ahne,Reine de Golconde (Paris, 1803). A still more celebrated one is inAdams Le Sourd (Paris, 1853) with the couplets beginning:— Sur le pontdAvignon,En cadenceLon y danse;Sur le pontdAvignonLon y danseTous en rond. A tambourin from Glucks Iphigenie en Aulide in a suite ar- THE MAKANNA SHOP Handmade Specialties, Exclusively420 Boylston Street (209 Berkeley Building) Boston We are now showing more than 60 models of HANDMADE LINGERIE DRESSES In Imported Ginghams, Organdies, Dimities, Voiles, Dotted Swisses Custom-made, and trimmed with Real Laces Prices ranged from $25. Good-bye! And yet — after all, partingis such sweet sorrow!Though we say farewell for abrief time to these Symphonygatherings, we carry with usthrough the interval, the mem-ories of many pleasures and theanticipation of more to Silhouette will meet youall through the Summer atJays, and greet you from thesepages in the Autumn. Dresses, Suits, Skirts, CoatsBlouses, Scarfs, Sweaters ^ ^Boston, TemplePlace Eleven f\ ranged by Gevaert has been performed hePre at concerts of the BostonSymphony Orchestra. ^- II. Menuetto: Moderato, B-flat majorat 3-4 (Gretry: Menuet,C major, 3-4, without indication of pace). Mor/tl scored it for two flutes,two oboes, two clarinets, two bassoons, two horn^^^^.two trumpets, kettle-drums, and strings. ^ - III. Gigue: Allegro non troppo, D major, 6-8 (Gret^ry: Gigue, treslegere, A major, 6-8). Mottl changed the melodic contour^^^f this smiplelittle dance, elaborated the music, and scored it for piccolo,^^- A^te, twooboes, two clarinets,
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
