. Bulletin. Ethnology. densmore] CHIPPEWA MUSIC 77 In this song the singer represents himself to be a bear, walking around the Mide' pole and trying to strike it. (Compare fig. 6, p. 42.) No. 56 (Catalogue no. 47) B^B ^ WORDS Ninbeba'miseyan' I that hasten around Nabosedini^niwejiud^ I shoot at a man and he falls in a trance Nigagwe^dina^ Then I feel with my hand Ninbeba^miseyan^ To eee if he is still alive. Song picture kg. 56. A wavy line connects the bird and the sky- circle. The double line before this draw- ing divides the series into two parts, as written on the birch- bark strip. The pe
. Bulletin. Ethnology. densmore] CHIPPEWA MUSIC 77 In this song the singer represents himself to be a bear, walking around the Mide' pole and trying to strike it. (Compare fig. 6, p. 42.) No. 56 (Catalogue no. 47) B^B ^ WORDS Ninbeba'miseyan' I that hasten around Nabosedini^niwejiud^ I shoot at a man and he falls in a trance Nigagwe^dina^ Then I feel with my hand Ninbeba^miseyan^ To eee if he is still alive. Song picture kg. 56. A wavy line connects the bird and the sky- circle. The double line before this draw- ing divides the series into two parts, as written on the birch- bark strip. The peo- ple dance during the succeed in g Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectethnolo, bookyear1901
