. Historical portraits ... o > ^. « o X ■■J V w .= IS W OD 3 = 5 ■2 2 2 = -z -J •- is 3 o U, I HUGH LATIMER 135 and his parables from rural life more survive than in the case of anyother sixteenth-century divine ; and it is only in Bunyans PilgrimsProgress that we find anything to which we can compare his Marys accession the shrewd old man saw what was coming ;and, though even his enemies seem to have desired that he shouldfly to the Continent, as most of the hot gospellers of the previousreign did, he declined to take advantage of their kindness, and, inSeptember 1553, he too


. Historical portraits ... o > ^. « o X ■■J V w .= IS W OD 3 = 5 ■2 2 2 = -z -J •- is 3 o U, I HUGH LATIMER 135 and his parables from rural life more survive than in the case of anyother sixteenth-century divine ; and it is only in Bunyans PilgrimsProgress that we find anything to which we can compare his Marys accession the shrewd old man saw what was coming ;and, though even his enemies seem to have desired that he shouldfly to the Continent, as most of the hot gospellers of the previousreign did, he declined to take advantage of their kindness, and, inSeptember 1553, he took up his old lodgings, as he called them, atthe Tower again. In the following March he was sent to Oxfordas a prisoner together with Cranmer and Ridley, and a disputationwas soon after held with them in St. Marys Church. Latimerprofessed himself, owing to old age and sickness, quite unable todispute, said his memory was gone, and appeared to be eager forthe fire; all he knew was that there was nothing about the massin the Bible. Even though they were ex


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Keywords: ., boo, bookcentury1900, bookdecade1900, booksubjectportraitpainting