. Complete school of technic for the pianoforte : including flexibility and independence, scales in all forms, extension, arpeggios in all forms, double notes, octaves and chords, trills, tremolo, glissando. f the fourthfinger. The hand is turned in and over, so that the thumb liesunder the fingers and about parallel with the keyboard. Thethumb nail is thus enabled to slide over the keys without thefleshy part touching, and the fourth finger is in exact posi -tion to take the final note. In descending in the right, and ascending in the left, thethumb is curled under the hand, which maintains t
. Complete school of technic for the pianoforte : including flexibility and independence, scales in all forms, extension, arpeggios in all forms, double notes, octaves and chords, trills, tremolo, glissando. f the fourthfinger. The hand is turned in and over, so that the thumb liesunder the fingers and about parallel with the keyboard. Thethumb nail is thus enabled to slide over the keys without thefleshy part touching, and the fourth finger is in exact posi -tion to take the final note. In descending in the right, and ascending in the left, thethumb is curled under the hand, which maintains the ordinaryplaying position. The second finger overlapping the thumb, easily takes the last note. When practicing the glissando thereshould be as little bearing upon the keys as ped-al is held throughout and is raised simultaneously with thelast note. Exercise No. 2 is played ascending with the nails of the thirdand fourth fingers, which are nearly straightened and held firm -ly together for mutual support. In ascending,the palm is turner;upward; in descending it is turned down,the fingers beingcurl-ed under sufficiently to bring the nails of the second and thirdin contact with the 114 Exercise for Developing Finger Resistance 5 &
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