Harmony, its theory and practice . 4 6 42 2 (IV) Andante. 7— 4(6 6 6 5 6 6 6 5 6 4, 5 $4 7 6tt6 tt6 62 $5 6 4 5 S t>y- J jLiJ rMi^ r Ir r 1-^ ^^ U=^4Th^- 6 7*69 8tt4 7 61f6 J|786 7 — 7J786 698 5 I?tt5 64 23 5 —J 43 4 7 — 4 3 4J(V) Chap. XIV.] Chord of the Dominant Thirteenth. 197(VII) Double Chant.

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903