Valuable pictures by foreign and American masters . No. 168IN THE STUDIO BY HUGO VON HABERMANN 7^ Hugo von Habermami German: 1849—168—7AT THE STUDIO Height, 39% inches; ?width, 37% inches The spectator looks into a roomy studio, where theartist is at work from a young woman model. He isseated high in a large armchair, on crumpled draperies,his head being concealed by the canvas on which he isat work. The model, in green-blue skirt and pink negli-gee waist, stands in careless pose, leaning against ashelf, with hands on hips. She faces the spectator,with her head turned toward the painter at the


Valuable pictures by foreign and American masters . No. 168IN THE STUDIO BY HUGO VON HABERMANN 7^ Hugo von Habermami German: 1849—168—7AT THE STUDIO Height, 39% inches; ?width, 37% inches The spectator looks into a roomy studio, where theartist is at work from a young woman model. He isseated high in a large armchair, on crumpled draperies,his head being concealed by the canvas on which he isat work. The model, in green-blue skirt and pink negli-gee waist, stands in careless pose, leaning against ashelf, with hands on hips. She faces the spectator,with her head turned toward the painter at the left,the light coming from the left and behind her. Throughthe high window, screened below with a green curtain,one looks at a gray-white sky. Signed at the lower right, Haberjiaxn, 1885. Purchased from D. Heinemann, Munich, No. 169IN ECSTASY BY PROF. FRANZ VON LENBACH r Prof. Franz von Lenbacli German: 1836—1904169—IN ECSTASY Height, 45 inches; width, 33% inches Standing figure of a young woman, demi-nue, depictedin ecstatic emotion. She is observed at somewhat morethan half-length, her hips wound with folds of trans-parent draperies in delicate tints of rose, green andyellow, with white. The upper figure, nude, is turnedslightly to the right, and she has raised both armsabove her head, the hands not meeting but the fingersextended and bent in a tense will to grasp, as withhead thrown back and eyes raised in rapturous long-ing she looks upward between her hands, her lips lightlyparted. Abundant reddish hair enwinds her head andfalls at will down her back. The mobile flesh revealsmany modulations of tone, seen in a soft light per-mitting the play of delicate color influences. Signed at the lower right, F. Lexbach, 1903. Purchased from Albert Riegner, Munich, 1905.


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Keywords: ., bookauthoramerican, bookcentury1900, bookdecade1910, bookyear1916