Modern harmony, its explanation and application . AllegroOb. I. II. SIBELIUS, 4th Str. pkz. The next method is the progression by exactly equal steps / in the bass; at first by minor thirds, as in the Wagner motiv I (Example 37); then by major thirds, as in the Bantoek and 1Karg-Elert passages (Examples 83 and 84). Ex. 83. Lento sostenuto cantabile. BANTOCK, Gethsemane.


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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915