Counterpoint applied in the invention, fugue, canon and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music . etc. The first tone,^-, would not adjust well with the cadence tone of the Subject (#b).In a word, this initial g is the Second-dominant (Dominant of the Dominant) in thekey of/minor thus far pursued; and while this comparatively remote tone, or anyother, can be reached in time, it is certain to sound abrupt at the very beginning ofthe Response. Theref
Counterpoint applied in the invention, fugue, canon and other polyphonic forms : an exhaustive treatise on the structural and formal details of the polyphonic or contrapuntal forms of music, for the use of general and special students of music . etc. The first tone,^-, would not adjust well with the cadence tone of the Subject (#b).In a word, this initial g is the Second-dominant (Dominant of the Dominant) in thekey of/minor thus far pursued; and while this comparatively remote tone, or anyother, can be reached in time, it is certain to sound abrupt at the very beginning ofthe Response. Therefore the above Subject is imitated as follows, the first (Domi-nant) tone in the 4th, and the remainder, as usual, in the 5th: Further:. Response (tonal).
Size: 3223px × 776px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1900, bookdecade1900, booksubjectcounter, bookyear1902
