. Hopi Katcinas drawn by native artists. nd. EOTOTO (Plate XIV) This is one of the most important katcinas, and is very prominentin several celebrations. The artists picture of Eototo has a white head covering, with smallholes for e3es and mouth, and diminutive ear appendages. There isa fox skin about the neck. The blanket is white, and is worn over a white kilt tied with anembroidered sash, the ends of which are seen below. The figure alsohas knit hose and heel bands. In the left hand there is a skin pouchof sacred meal and a chiefs badge (moiikohu), while the right handcarries a bundle of sh
. Hopi Katcinas drawn by native artists. nd. EOTOTO (Plate XIV) This is one of the most important katcinas, and is very prominentin several celebrations. The artists picture of Eototo has a white head covering, with smallholes for e3es and mouth, and diminutive ear appendages. There isa fox skin about the neck. The blanket is white, and is worn over a white kilt tied with anembroidered sash, the ends of which are seen below. The figure alsohas knit hose and heel bands. In the left hand there is a skin pouchof sacred meal and a chiefs badge (moiikohu), while the right handcarries a bundle of sheep scapulse and a gourd bottle with water froma sacred spring. Eototo is one of the most piominent masked personages at ^^alpi a See Journal of American Ethnology and Archaeology, vol. ii, 1892. For picture of doll, see Inter-nationales Archiv flir Ethnographie, Band vii, pi. ix, fig. 24. (iTho use of this water and sacred meal is described in the Journal of American Ethnology andArchaeology, vol. ii, 1892. BUREAU OF AMERICAN ETHNOLOGY. POWAMU SO WUQTI
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Keywords: ., bookauthorfewkesje, bookcentury1900, bookdecade1900, bookyear1904
