. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. al numbers accompanied solelyby a Harp with equal success as Meyerbeer. The Harp adapts itself excellently to the por-trayal of fantastic scenes, prayers, serenades andfor poetic, ideal, elegiac and religious situationsin general. The tone of the lower strings isvery sonorous and they possess a well-roundedand sympathetic quality. In the higher regis-ters the Harp-tones are very clear and fine. Consi
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. al numbers accompanied solelyby a Harp with equal success as Meyerbeer. The Harp adapts itself excellently to the por-trayal of fantastic scenes, prayers, serenades andfor poetic, ideal, elegiac and religious situationsin general. The tone of the lower strings isvery sonorous and they possess a well-roundedand sympathetic quality. In the higher regis-ters the Harp-tones are very clear and fine. Considered as a Solo Instnime/it, the Harpmay be used as successfully as the Violin orPiano, either with accompaniment of a fewstringed instruments, or of the entire the latter case the score must be arranged insuch a manner as to allow the Harp to appearto best advantage and not be crushed by themass of accompanying instruments. To forma correct idea of writing an effective solo-partfor the Harp I add two fragments from theworks of C. Oberthiir, well-known as an excel-lent performer and composer: KLINGS MODERN INSTRUMENTATION AND ORCHESTRATION. Ch. Oberthur, Op. i8o. B GROUP I. — STRINGED INSTRUMENTS.
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Keywords: ., bo, bookcentury1900, bookdecade1900, bookidmodernorchestrat00klin
